2005-09-21 13:22
digitaldiscipline
It's getting harder and harder for me to find anything new good or interesting.
"Sin City" cleared the bar last night. Going to add it to the collection.
My out-and-out refusal to succumb to Harry Potter took K by surprise the other night. HP is one of those things that, no matter how many of my friends throw in with or endorse, I simply will not devote any time to. I don't cotton to the hyper-popular saturation in much the same way that I'm not interested in young adult fiction. I see it as a marketing juggernaut first, and that's indelibly colored my preconceptions about the whole affair, unfairly or not.
I feel similarly about Joss Whedon's body of work, and it even has the dubious inducement of cute females who are above the age of consent. I've seen a couple episodes of Buffy, but it didn't grab me the way a half-episode of the X-Files did once upon a time. Stargate, ditto. Babylon 5 was interesting enough to not change the channel, but not compelling enough to make me look for back episodes or pay attention to when it was on.
On a slightly-related note, Gardner Dozois has decidedly grimmer taste in SF than David Hartwell for their respective "Best of" yearly anthologies.
"Sin City" cleared the bar last night. Going to add it to the collection.
My out-and-out refusal to succumb to Harry Potter took K by surprise the other night. HP is one of those things that, no matter how many of my friends throw in with or endorse, I simply will not devote any time to. I don't cotton to the hyper-popular saturation in much the same way that I'm not interested in young adult fiction. I see it as a marketing juggernaut first, and that's indelibly colored my preconceptions about the whole affair, unfairly or not.
I feel similarly about Joss Whedon's body of work, and it even has the dubious inducement of cute females who are above the age of consent. I've seen a couple episodes of Buffy, but it didn't grab me the way a half-episode of the X-Files did once upon a time. Stargate, ditto. Babylon 5 was interesting enough to not change the channel, but not compelling enough to make me look for back episodes or pay attention to when it was on.
On a slightly-related note, Gardner Dozois has decidedly grimmer taste in SF than David Hartwell for their respective "Best of" yearly anthologies.
(no subject)
No matter how much naysayers like you say you don't want to hear endorsements, these both have mine, and I dispense them rarely.
I should note that the main reason I didn't give Buffy a chance was that Sarah Michelle Gellar looks like Justin's wife. talk about petty. But to appreciate either series, watching one ep from the middle is like forming an opinion of a book after reading one page in chapter 20. Since that's how Dean decides when he's going to read a book, he's missed out on these gems as well.
(no subject)
From what I hear, a lot of people liked "Napoleon Dynamite," too, but those that didn't made it sound like the worst thing since Andy Dick and Tom Green's inexplicable brush with fame.
I saw the episode of Buffy sometime before the peak of the hype, and the impression I took away from it was, "This is Xena for suburban teenagers." The writing, the production values, even the foley work - it all worked together to put me off just enough to not want to bother. Seeing breathless discussions of the inner lives of the characters (cavalorn's brilliant snark slashfic earlier this week nothwithstanding) only reinforced this.
At this point, I'd be more apt to read HP slashfic than HP. How sad is that?
(no subject)
Buffy and Angel are the best-written TV series I've ever seen. I was an X-files story arc fan--imagine if the X-files story arc was never interrupted by sub-par writing. Buffy has filler episodes, but they are across the board _written well._
Harry Potter is a resoundingly good example of storytelling in book form.
While it's cool to be iconoclastic, I would suggest that you, as a writer, would benefit from studying these two things to understand why it was possible for them to become marketing bohemoths in the first place. They weren't created to become marketing bohemoths. There is no chicken/egg debate here.
I mean, I read Terry Goodkind's first novel because I understood it to have the highest advance for a first novel ever. That may not be accurate, but in reading it, I was able to see that I never want to get a huge advance.
Know the enemy, I say. if it converts you, then eat crow, but to broadly condemn good stuff in a vast ocean of really bad without having given it a proper examination smacks of fundie behavior. :)
(no subject)
(no subject)
As for Harry Potter, I should disclaim a bias. I had struggled for years to get Kieran to want to read above his age level--he was good enough, but didn't want to engage "big books." He was six when I gave him the first Harry Potter, and since then, the more "big books" the better.
There may be a relationship between your not wanting kids and your disconnect with children's literature, but by far the best fantasy is in the kid's section, IMHO.
In other news, I'm hungry. :)
(no subject)
Plus, it just looks cheesy as hell, vis a vis Xena/Hercules production values, and that rendered it all but impossible to suspend my disbelief. [the after-the-fact fangirlgasms over spike and whatnot didn't really make for a compelling inducement, either.]
My general distaste for young humans does play a large part in my antipathy towards HP - I don't really want to spend several hours with real ones, I -really- don't want to spend several hours with semi-magical made-up ones, especially since, from what I can tell, they're a fairly unlikable lot - a bumbler, a know-it-all, an arch-enemy - and the general supervisory powers of various adults who are similarly uninteresting-to-me.
Were I a parent, or more engaged with children, I might have a different mindset. Then again, if I had a different mindset, I might be a parent, or more engaged with children.
As for being hungry, you can lick my. . . oh, wait. Wrong List! ;-)
(no subject)
In another interview, she related a story about a letter sent by the Mother of a young fan. The Mother spoke of how she admired the first book, but thought the second one too dark for children, and that a writer of JK's obvious caliber could certainly manage an interesting story without such. JK's answer was something like; 'Thank you for your compliments. Don't read any more of the books'.
The thing I admire about her work is that she is not willing to sell out her original vision. She is not a "Hollywood" writer. She doesn't round out each book with some uber-sappy happy ending. People die...main (and beloved) characters die. There is more of what life really is in her work because of it.
(no subject)
Check it out! It's a wonderfully alternative vision of the future. Not at all like anything else out there, except that the dialogue is every bit as witty and snappy as anything Joss ever did with Buffy or Angel.
The movie, "Serenity", is due out in a couple of weeks.
(no subject)
But one doesn't have to put up with seeing the film to appreciate that irony.
(no subject)
It was uncomfortable enough when I was ostensibly supposed to be watching John Hughes movies. American Pie was at least clever and ribald. This looked like Beavis and Butthead, the live-action years.
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(no subject)
I tried to watch Buffy once, but ditto, it didn't grab me from the first second like X-Files did. But I don't begrudge my friends their enjoyment of it.
While I used to be "it's too popular so I automatically hate it," more recently I've decided to give things a chance on their own merits & see how they fare. Except for that Titanic movie. No matter how drool-worthy the costumes are, I just can't give more money to James Cameron ;-)
(no subject)
(no subject)
I only learned to tolerate Buffy because Peter owns them (oof, but the cheese factor kills me), and X-Files is okay (which I only recently learned because TiVo thought we would like them). Ewwwww, Stargate. Babylon 5 is only slightly higher than Stargate on my scale of suck.
(no subject)
Because it out-grossed Star Wars. I hate "ET" for the same reason.
That, and I think Leo DeCapitated is a shitweasel, and I know how it ends.
The boat sinks, right? I mean, it's not like there's a lot of suspense there. . .
(no subject)
What puzzles me is why you would seemingly (said because I know I probably don't truly understand what you're saying yet) assign value based on how many dollars a thing earned. Making no money is not an indicator of a thing being bad, but also, making tons of money is not an indicator of a thing sucking, either.
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(no subject)
So...you're holding your breath until your face turns blue to get even? ;P
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I don't have ovaries. ;-)
(no subject)
If given a choice between "Titanic" and "Spiritual Kung Fu" (an early Jackie Chan film made in Taiwan, with subtitles), I'll take the latter.
...so not the "chick flick" kind.
I hear ya, brother.
I'll say one good thing about HP, both books and films - they are well done. I mean, a pile of shit is a pile of shit no matter what you do with it, but a WELL DONE pile of shit can have some merit. I tend to respect things that are well crafted. I occasionally have to go to a chick flick to keep the wife appeased and while they are all shit, a very few of them are well crafted shit and therefore not complete wrist-slitters.
I am a Buffy virgin and I like it that way. Ditto with Angel. X-files were vaguely interesting but I felt like they steadfastly refused to get to the fucking point, so I lost interest.
Re: I hear ya, brother.
The next episode I saw remains the only one that legitimately creeped me out (the fountain of youth descendants in the north florida swamp, where one ends the episode under scully's bed), and that was it - i watched. it sucked towards the end, no lie.
Re: I hear ya, brother.
Re: I hear ya, brother.
Re: I hear ya, brother.
Re: I hear ya, brother.
(no subject)
I understand the basic premise you present here and share it for a great deal of the pablum that is most pop-entertainment (Twittany Spears comes to mind).
But, when half a dozen people who you think are intelligent and discerning tell you that the reason for a specific things popularity is because it actually deserves it, then maybe that's enough to warrant another look?
Dunno. Your call, but I do think you're missing out.
(no subject)
As far as Beavis and Butthead is concerned - it wasn't popular because people could identify with it, it was popular because it gave people - even stupid people - something to make them feel better about *themselves*. A cheap ploy, but it appears to have worked for a time.
Harry Potter isn't good because a lot of people like it. Harry Potter is good, for me, because *I* can like it. They are *masterfully* well-told stories in a rich world. I get enough pleasure from it that I delight in finding other people who enjoy it, because it gives us so much to talk about, to theorize about.
Fenix writes: "But, when half a dozen people who you think are intelligent and discerning tell you that the reason for a specific things popularity is because it actually deserves it, then maybe that's enough to warrant another look?
Dunno. Your call, but I do think you're missing out."
Emphatically seconded.
(no subject)
Same with the Buffyverse, I'm pretty immune. I've seen all of the shows and enjoyed them here and there, but I never really felt any compelling desire to watch on a regular basis. Rick is a Buffy addict and I just don't get it.
This reminds me...
I don't want to get off on a rant here, but sangro de cristo, Babylon 5 sucked. Next Generation sucked. Voyager sucked. I never saw Enterprise or whatever the last one was called. The only SF show I have liked (before the recent Battlestar Galactica) is Farcape. Stargate had its moments, but they were only moments.
It reminds me of "There's Something About Mary". By the time I saw that film Cameron Diaz could have jumped on my lap and fellated me and I still would have thought it was over-rated.
Why is it no one has any taste any more?
Re: This reminds me...
I liked Next Gen, and, for a while, DS9. The others? Not so much.